Skip to main content

March 1, 1932: The broadcast of Charles and Anne Linbergh's son on CBS and NBC


March 1, 1932: Start of the greatest effort of on-the-spot news coverage of radio involving the kidnapping of Charles and Anne Lindbergh's baby. CBS and NBC rushed to Hopewell, NJJ to cover the incident.

On March 1, 1932,around 8:00 and 10:00 o'clock, son of Charles and Anne Lindbergh, was kidnapped from his nursery room. The kidnappers left a small note asked for ransom for the child.

By the next morning, news about the kidnapping had been broadcast to the world and reporters, cameramen, curious onlookers, and souvenir hunters swarmed over the Lindbergh estate. Unfortunately, the present of news hunter made some of evidence that has not yet retrieved by police was lost in the stampede.

Charles Lindbergh wanted the police to allow him to negotiate without interference with the kidnappers and he told that to Colonel H. Norman Schwarzkopf, head of the New Jersey State Police. Lindbergh used NBC to radio broadcast his message to the kidnapper or kidnappers. He promised to keep confidential any arrangements that would bring their baby back safely. There were no arrest have made until the ransom been paid and the baby return safely.

The child body of Charles Augustus Lindbergh, Jr. was later discovered and Bruno Richard Haptman was charged with the crime, convicted, and later electrocuted in 1936.

Comments

Popular posts from this blog

1946 Great Crepitation Fart Contest

Not for the faint of heart, here is the remarkable 1946 Crepitation (Fart) Contest (part of the 1946 News Broadcasts Collection ). You'll enjoy the fart-off between champion Englishman Lord Windsmear, and  challenger, Australian Paul Boomer who had stowed aboard a cabbage freighter. The hilarious comedy recording was apparently created a spoof by two Canadian radio sportscasters in 1946, but this 15 minute recording definitely has some gems in it.  Apparently they made several copies, but it was not for distribution. The recording was copied again and again on disc and reel to reel tape. It was distributed underground and played in dark rooms and back alleys around the world. If you cannot see the audio controls, your browser does not support the audio element This recording is available with many other delightful treats on Random Rarities #7 available on   MP3 CD ,  Audio CD , and  instant download .

April 27, 1932: The First Performance of Ed Wynn on Texaco Fire Chief Show

April 27, 1932:  Ed Wynn , the Texaco fire chief, graced the airwaves for the first time on Texaco Star Theater. Wynn, who enjoyed popularity as a vaudeville performer, gave as a condition to his switch to radio, that a live audience react to his humor.His condition was granted by the network and so began Wynn's career as the first true superstar of radio. Ed Wynn was hosted a popular radio show  on Tuesday nights for most of the 1930s. The radio show was heard in North America and sponsored by Texaco gasoline. On the show Wynn played  as the " Texaco Fire Chief ". He was often seen wearing a fireman's helmet. For this show, Wynn would turned down the offer form The Wizard in MGM's adaptation of The Wizard of Oz , to play a role on that show.

Fast Fun Facts about Jack Webb

Jack Webb was an American actor, television producer, director, and screenwriter, best known for his role as Sergeant Joe Friday in the 1950s TV series "Dragnet." Here's twelve FUN FACTS for you to know: Jack Webb was born on April 2, 1920 in Santa Monica, California. He served in the United States Army Air Forces during World War II, where he was a bomber pilot. In 1949, Webb created and starred in the radio series " Pat Novak for Hire ," which was the basis for the later " Dragnet " TV series. " Dragnet " was one of the first police procedural dramas on television, and it ran for eight seasons from 1951 to 1959. In addition to his work on " Dragnet ," Jack Webb also directed and produced several other TV shows, including "Adam-12," "Emergency!" and "Mark VII Limited." He was known for his distinctive style as a director, which involved using close-ups and quick cuts to convey a sense of immediacy. J